Absolute Denial: the ONLY British feature animation at Shanghai International Film Festival 2021
Independent British films are gaining more and more attention internationally beyond Europe and North America. This year, Ryan Braund’s Absolute…
Insights
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Becoming an MSc final project company host for Leicester Castle Business School
We are honoured to announce that UK-China Film Collab have been approved to become an MSc final project company host…
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British films at the 24th Shanghai International Film Festival
The 24th edition of the Shanghai International Film Festival will be held between June 11 and 20, showcasing 435 films…
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Jowita Zofia Kalamarz: Legal Advisor Specialising in Creative & Cultural Industries
Jowita Zofia Kalamarz from De Montfort University has been in an internship with the UK-China Film Collab as a Legal…
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British artist Michael Craig-Martin made appearance at Hong Kong Art Basel 2021
Art Basel debuts first hybrid show in Hong Kong, with enthusiastic on-site and digital participation resulting in vigorous sales. The…
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Future Talent Programme 2021-2022: a call for applications
The Future Talent Programme’s objective is to provide a platform for students in the UK to gain practical experiences during their studies, as well as to testify and actualise their research informed ideas.
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Chinese Cinema Season Panel 9: The Future of Hong Kong’s Film Industry
What will be the next Hong Kong film that can have an international success beyond the festival circuit? What will be the next Hong Kong film that can become as consumable as its classics by the mass audience internationally?
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Chinese Cinema Season Panel 8: VR Immersive Experience R&D between the UK and China
Led by Goldsmiths, University of London, the “IIIE UK-Shanghai Consortium” includes leading UK arts, cultural, immersive and digital content partners (RSC, National Theatre, Maze Theory, Dream Reality Interactive, Philharmonia), alongside leading Shanghai arts, tech, immersive and academic partners.
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How does this film uncover British police corruption in 1960s Hong Kong?
How was the problem of corruption among British policeman resolved in Hong Kong? I will leave it to those who are intrigued enough to do their own research.
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Chinese Cinema Season Panel 7: Opportunities for Documentary Filmmakers to Enter the Chinese Market
Our expert panelists will talk about their experiences working in China and in the Chinese documentary market. Audience members will have a chance to put questions to the panelists at the end of the talk.
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Introducing “Hong Kong, Reimagined”: starting with 4 student films from the Academy of Film, Hong Kong Baptist University
A new curated programme “Hong Kong, Reimagined” is set for launch today on April 6th. It will run until May 12th and showcase classics, hidden gems, latest releases as well as new talents emerging from the Hong Kong film scene.
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Review: How British filmmaker Arthur Jones is about to make history in China?
The Six, scheduled for a nation-wide release (11,000+ cinemas) in China on April 16 by QC Media, is about to make history that no other British filmmakers have achieved before.
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What does “Youth” mean in contemporary China: poverty and class are still important debates to be had
How can Feng Xiaogang’s Youth (2017) contribute to current debate about China affairs? In the last half decade there has…
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Lead Film & Political Analyst: Alexei Hampson
Alexei Hampson has been selected to join UCFC as a member via the support of Kickstart Scheme, as a Lead Film & Political Analyst.
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How ETO have been funding Hong Kong cinema’s international showcase, but more support from home needed
Apart from appearing at well-known festivals such as Cannes, Berlin, Venice and Udine, where else do Hong Kong films get promoted and in what forms?
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Audience Engagement Officer: Cicek Guler
Cicek Guler has been selected to join UCFC as a member via the support of Kickstart Scheme, as an Audience…
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Chinese Cinema Season Panel 6: The Future of Co-production Film Between the UK & China
As part of the Chinese Cinema Season, the UK-China Film Collab have organised and will host 9 discussion panels during the festival period,…
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Chinese Cinema Season Panel 5: Film Data and Policy Between the UK & China
The debate tried to answer many questions, such as: what are the gaps between the UK and China in terms of film data collection, data evaluation and data policies?
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We are committed to training more young talents via DWP’s Kickstart Scheme
UK-China Film Collab have been approved as an employer for the Kickstart Scheme. We are committed to providing an international experience to all selected placement employees.
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Chinese Cinema Season Panel 4: An Evening with Lady Tessa Keswick
Tessa Keswick first travelled to China in 1982 and immediately fell in love with its history, culture and landscape.
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Chinese Cinema Season Panel 3: Tradition and Innovation in Chinese Animation
Founded in 1957, the SAFS is the most respected animation studio in China. It is famous for its experiment to include traditional Chinese fine and folk art into the making of animation, such as ink painting and paper-cutting.
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British Film Masters Season sold out within minutes in Shanghai
While we are co-presenting Chinese Cinema Season in the UK, our friend, Shanghai Film Art Federation will launch a British Film Masters Season in March across four cinemas.
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A public enquiry into the BBC’s Nezha mystery
The original Nezha animation is now streaming in the UK and Ireland, which brings questions to the version that the…
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Chinese Cinema Season Panel 2: British East/Southeast Asian Women in Film and TV
This forum addresses female professionals’ strategic evocation of women’s issues as a way of expanding film art and culture beyond the white-male-dominated industry and patriarchal society.
